‘The Dead Don’t Hurt’ Review: Viggo Mortensen Puts a Subversive Spin on the Western Genre
Viggo Mortensen’s first feature as a director, 2020’s “Falling,” was in some ways an exercise in rigorous, controlled filmmaking, a family drama that jumped between generations to tell a subtle but explosive story about age, memory and forgiveness. But his second film, “The Dead Don’t Hurt,” which…
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