Nia DaCosta's 'Candyman' is fantastic, but you'll need to see it five times

Having seen Candyman (2021) only once, I remember it in pieces. Like Bernard Rose’s 1992 film of the same name, Nia DaCosta’s story of a couple living in Chicago’s gentrified Cabrini-Greene plays like a waking nightmare — a pulsing bloom of terror that’s putrid yet intoxicating.

" A waking nightmare — a pulsing...