Michael Cieply: In A Color-Coded World, Films Claim Their Place On The Palette
Published
The late film executive Bingham Ray, God bless him, once (over lunch at Orso, in 2009) pointed out something so obvious I had completely missed it. The wiliest movie marketers, explained Ray, try to own a color scheme. Juno, for instance, had orange stripes with distinctive green highlights.…
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