Review: The Boston Symphony Plays a Sober ‘Lady Macbeth’
Published
The Metropolitan Opera’s production of Shostakovich’s “Lady Macbeth of Mtsensk” is a garish explosion, its imagery drawn from cartoons and the Keystone Kops, its madcap energy never-ending. It’s fabulous, but the score can feel whooshed into a blender’s whirlwind. That was very much not the case…
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